By now, most of you have seen some photos of our trip to Scotland and the visit to Castle Dunfermline. It was inspirational for me, since I’m writing about Queen Margaret and King Malcolm III.
Now I’m going to let you view an “outtake” from the excursion. My excuse for what you’re about to watch is that I’d recently had leg surgery and was still gimpy. Those of you who know me personally may insist that no, this is just typical Lisa, although I can’t imagine why.
Our friend Colin Hewitt (see my last post) and I went down inside the ruins to the kitchen area. I don’t know how the servants got up and down the steep and very narrow winding stairway. My right leg was having none of it, so I wound up crawling. What I didn’t know, was that Chuck was waiting for me at the top of the stairs. No problem. I think I salvaged my dignity.
These are a few of the books I referenced at home in writing “As a Deer Yearns for Running Streams,” about the eleventh-century Queen Margaret of Scotland. I also scoured ten or so more books during our stay near the the Scotland National Library in Edinburgh, and took copious notes from more than thirty at San Marino’s Huntington Library. Research is truly one of my favorite things: it’s falling down the rabbit hole; searching for Easter eggs; holding the golden ticket for Willy Wonka’s factory. It’s weirdly exhilarating !
If you enjoy historical novels or know someone who does, may I suggest this book as a Christmas present? It’s full of history, as seen through the eyes of many of those who lived it. Queen (and Saint) Margaret was a beautiful, kind and conflicted woman. “As a Deer Yearns for Running Streams” is Book One in a trilogy. Book Two is well underway on my computer, and, surprise – there’s even a prequel in the works! This is a project from my heart. I hope it will touch yours.
MAY THIS SEASON BRING PEACE AND JOY TO THE WORLD AND MAY YOUR HEARTS SWELL WITH THE PROMISE OF A NEW YEAR! With love, Lisa
You may remember seeing this tile crafted by Mary Philpott on this blog. Scroll down to earlier posts to read the story about how I “met” Mary online and asked to use this tile for the cover of my historical novel, which is entitled, “As a Deer Yearns for Running Streams, The Story of Queen Margaret of Scotland,” and will be out in about five days, as an eBook and soft bound.
This novel is one in a series of three about a fascinating 11th-century queen and saint who conquered personal loss, survived the Norman Conquest and became a beloved queen. Researching her for nine months, both in Scotland and at the Huntington Library in Southern California was an exciting adventure for me.
Over the next few days, I’ll be sharing some images from our 2018 trip to Scotland. I managed to book a hotel right across the street from the National Library of Scotland.
I hadn’t been in Scotland since I was 25. (I’m older than that now.)
I love Scotland and Chuck and I had a great time there. We traveled to Dunfermline, where Malcolm III and Margaret lived. I can’t wait to show you the photos from there.
I’d love to share Margaret’s story with you. You should be able to preorder the book now on Amazon, at least the eBook. The bound version will be showing in a few days. Amazon looks favorably on preordering, so if you feel so moved, please do. Here’s the cover:
Heavy the head that wears the crown. Well, actually, the quote is, “Uneasy lies the head that wears a crown.” Shakespeare wrote it for “Henry the Fourth, Part Two,” and he’s referring to uneasy sleep when you carry heavy responsibilities. Still, any way you slice it, crowns are heavy. Can you imagine trying to nod your head while balancing this on it?
But there’s something very special about this particular crown: it holds the oldest jewel in England’s crown jewel collection. Nope, it’s not the large jewel in the center of the crown. It’s the one at the very top and it dates back to the eleventh century. This sapphire once belonged to King Edward the Confessor, who is responsible for beautiful Westminster Cathedral. His death in 1066 precipitated the Norman Conquest, which changed history.
Edward, who despite his renowned piety, left something to be desired as a king, wore the sapphire in a ring. The legend goes that one day he came across a poor beggar and discovered he had nothing to give him, so he removed the ring from his finger and handed it to the beggar. Several years later, two men returned the ring to him, saying that St. John the Baptist had appeared to them. The biblical John had told them that one day, he had approached King Edward disguised as a beggar and that the king had given him the ring. Because of his generosity to the poor, the king would be blessed forever.
The stunning sapphire has been recut since the eleventh century, but it truly is a crowning jewel in England’s rich history. And now you know, if you didn’t before.
But don’t worry, no one can tell just by looking at you.
Find out if you’re biphasic: 1. Do you take a nap during the day? 2. Do you sleep for awhile at night, wake up and do some things and then go back to bed? 3. Did you live at any time in human history before about 1925? (!)
If you answered yes to any of these questions, you are biphasic, meaning you sleep twice during a 24-hour period. In fact, from the dawn of mankind, until electricity became common (by 1925 half of American homes had it), many, if not most, people went to bed around dusk for their “First Sleep,” awakening around midnight. Then they might play a game, stoke the fire, meditate, do a few chores, have sex, or steal some fruit off a neighbor’s tree. After about an hour, they’d go back to bed for what was called “Second Sleep,” until the sun came up.
Of course, Medieval monks had to be biphasic, rising around 2:00 a.m. during winter for Matins (one of the divine offices as set by St. Benedict), after which they might or might not go back to sleep for a while longer. The above picture depicts a demon suggesting to an eleventh-century monk, Raoul Glaber, that he stay asleep, rather than dragging himself to pray the Psalms in the middle of the night. “I wonder why you are so eager,” the demon would say, “to jump so quickly out of bed, as soon as you’ve heard the signal, and to interrupt the sweet rest of sleep, while you could give yourself up to rest until the third signal.”
The wealthier the Medieval individual, though, the later they tended to go to bed and the more likely they were to take their sleep in more or less a single block, say, going to bed at midnight and awakening briefly early in the morning and then going back to sleep until the sun was fully up. In fact, it was something of a status symbol if one was able to sleep all night without waking up.
Interestingly, it was recommended that children sleep through the night, getting nine or ten solid, consecutive hours. I’m thinking that was more for the parents than the children.
Unfortunately, biphasic sleeping didn’t eliminate sleep disturbances like insomnia or sleep-walking. Nor did it quiet the neighbors’ barking dog. Furthermore, studies show that people who sleep for a single block of time live longer. Einstein slept ten or more hours a night, so I guess it also makes you smarter.
This image, “Medieval Bestiary Deer: Deer in a Rowan Bower,” is a tile created by artist Mary Philpott. It will grace the cover of the first book in my trilogy about Queen Margaret of Scotland. I couldn’t be happier with this magical deer, or more amazed that I found it. Generally, the internet seems as destructive as it is interesting, but occasionally it connects people who would never meet but for electronic surfing. That’s how I found Mary. I don’t remember exactly what I clicked on that brought up her work, but what I saw made me stare at the screen in joy. It felt like destiny.
I clicked my way to Verdant Tile Co. (verdanttileco.com), Mary’s company, and discovered the extent of her talent. These hand pressed porcelain tiles are contemporary, yet feel historical. She’s got a Medieval soul, for sure. I’ve already chosen two other tiles for the 2nd and 3rd books in the trilogy, but you’ll have to wait a while to see them, (just for the suspense). Mary’s been most gracious and generous, and as it turns out, she has numerous facets to her art, personality and lifestyle. I had to share her with you, so here goes:
Mary Philpott lives out in the countryside in Uxbridge, Ontario, surrounded by hundreds of acres of forest, “part of which we are stewards of and maintain paths, keep bees and report to the government on wildlife.”
Mary attended the University of Guelph to study Art History and Archeology. Her goal was studio art, but she fell in love with history, especially the Medieval era. After studying Anthropological Archeology, she enrolled in Sheridan College School of Craft and Design for textile design. Once she discovered clay, she’d found her calling.
I asked her some questions about her work. Her palette is unabashedly rich, and she described much of her inspiration as from Provence, France.
Mary: “I think the clouds of Provence are found in the textiles of the region. They are that sunny, deep ochre type yellow that the sun shines through. My yellow is like that and (also) like the honey I find, and the green is that deep, rich emerald type green. The blue is also found in (Provence) textiles. The colours are also similar to the early 1900s Majolica ware found in France, Italy and Portugal.”
More recently, Mary has discovered a love of sculptural ceramics, and I think her delightful forest animals vibrate with character! She says she’s always loved animals. I think she sees them in a unique way.
Thank you, Mary, for letting me share the wonderfulness that is you!