You may remember seeing this tile crafted by Mary Philpott on this blog. Scroll down to earlier posts to read the story about how I “met” Mary online and asked to use this tile for the cover of my historical novel, which is entitled, “As a Deer Yearns for Running Streams, The Story of Queen Margaret of Scotland,” and will be out in about five days, as an eBook and soft bound.
This novel is one in a series of three about a fascinating 11th-century queen and saint who conquered personal loss, survived the Norman Conquest and became a beloved queen. Researching her for nine months, both in Scotland and at the Huntington Library in Southern California was an exciting adventure for me.
Over the next few days, I’ll be sharing some images from our 2018 trip to Scotland. I managed to book a hotel right across the street from the National Library of Scotland.
I hadn’t been in Scotland since I was 25. (I’m older than that now.)
I love Scotland and Chuck and I had a great time there. We traveled to Dunfermline, where Malcolm III and Margaret lived. I can’t wait to show you the photos from there.
I’d love to share Margaret’s story with you. You should be able to preorder the book now on Amazon, at least the eBook. The bound version will be showing in a few days. Amazon looks favorably on preordering, so if you feel so moved, please do. Here’s the cover:
This image, “Medieval Bestiary Deer: Deer in a Rowan Bower,” is a tile created by artist Mary Philpott. It will grace the cover of the first book in my trilogy about Queen Margaret of Scotland. I couldn’t be happier with this magical deer, or more amazed that I found it. Generally, the internet seems as destructive as it is interesting, but occasionally it connects people who would never meet but for electronic surfing. That’s how I found Mary. I don’t remember exactly what I clicked on that brought up her work, but what I saw made me stare at the screen in joy. It felt like destiny.
I clicked my way to Verdant Tile Co. (verdanttileco.com), Mary’s company, and discovered the extent of her talent. These hand pressed porcelain tiles are contemporary, yet feel historical. She’s got a Medieval soul, for sure. I’ve already chosen two other tiles for the 2nd and 3rd books in the trilogy, but you’ll have to wait a while to see them, (just for the suspense). Mary’s been most gracious and generous, and as it turns out, she has numerous facets to her art, personality and lifestyle. I had to share her with you, so here goes:
Mary Philpott lives out in the countryside in Uxbridge, Ontario, surrounded by hundreds of acres of forest, “part of which we are stewards of and maintain paths, keep bees and report to the government on wildlife.”
Mary attended the University of Guelph to study Art History and Archeology. Her goal was studio art, but she fell in love with history, especially the Medieval era. After studying Anthropological Archeology, she enrolled in Sheridan College School of Craft and Design for textile design. Once she discovered clay, she’d found her calling.
I asked her some questions about her work. Her palette is unabashedly rich, and she described much of her inspiration as from Provence, France.
Mary: “I think the clouds of Provence are found in the textiles of the region. They are that sunny, deep ochre type yellow that the sun shines through. My yellow is like that and (also) like the honey I find, and the green is that deep, rich emerald type green. The blue is also found in (Provence) textiles. The colours are also similar to the early 1900s Majolica ware found in France, Italy and Portugal.”
More recently, Mary has discovered a love of sculptural ceramics, and I think her delightful forest animals vibrate with character! She says she’s always loved animals. I think she sees them in a unique way.
Thank you, Mary, for letting me share the wonderfulness that is you!